"Welcome Foolish Mortals
|HAUNTED MANSION 45TH ANNIVERSARY COLLECTOR'S ART DISNEYLAND GALLERY MIKE PERAZA|
... " to a celebration of Disneyland's horribly humorous hair-raising Haunted Mansion
. As most of you know, there are multiple versions of this spooktacular attraction at Disney parks around the world with each one celebrating their unique differences from the architecture outside to many of the ride elements inside. The one located at Disneyland
is of course the ominous original, opening it's creaky doors to the public on August 9,1969. This year celebrates its 45th year
of happy haunting
. I was asked to create some eerie original artwork to celebrate this tombstone
... I mean milestone
, and so I'm unveiling part of my ghostly gouache
. Before I get to the painting however, a bit of history of the Haunted Mansion is in order, and for goodness sakes don't you dare pull back on the safety bar, we'll do it for you! Disneyland's Haunted Mansion 45th Anniversary artist Mike Peraza HAUNTED MANSION,
|Harper Goff's early rendition of the attraction|
first considered a haunted house attraction in Disneyland
two decades before the first shovel was turned to lay the attraction's groundwork. The original sketches by Harper Goff
for the structure included drawings for a gothic mansion resembling (at least to me
) the one that would be built years later in 1960 for Hitchcock’s Psycho
with a graveyard and church sharing the plot.
However when Disneyland
lowered its drawbridge and opened its magical castle to the public on July 17, 1955
, it did so without the benefit of a spine tingling creepy crypt. In 3 short years however, Walt's never ending park expansion created a new land named “New Orleans Square”
(being a native of the "big easy" I certainly like the sound of that
) which would provide literally lay the foundation for the spook house in 1962. HAUNTED MANSION 45TH ANNIVERSARY COLLECTOR ART
|Ken Anderson's original design|
|Sam McKim's color interpretation|
Although early concepts by Ken Anderson portrayed the mansion as an old dilapidated haunted house, Walt Disney
thought that might be a grave mistake and wanted it to have a pristine look to match the rest of the park. As numero uno imagineer Walt himself put it, "We'll take care of the outside and let the ghosts take care of the inside."
It then stood empty for years while the Disney company concentrated on its responsibilities for the 1964 World's Fair
. When Walt Disney
passed away in 1966, the imagineers were in the midst of planning the new attraction. They were suddenly at a loss of whether to make the attraction scary like Claude Coats
had wanted or funny like Marc Davis
had planned. Actually "loss" is not accurate when recounting those times.
|One of many Marc Davis concepts|
The imagineers I talked to, including Marc and Claude themselves (and they o'uta know, ya know
) described the situation a bit like going into battle without a commanding general to coordinate the troops. In the end of course they combined both directions into an eerie entertaining experience that people line up for to this day.
|Haunted Mansion 45th Event|
As many of you may know who have read my blog over the years, two of my mentors: Disney Legends Ward Kimball
and Ken O’Connor
used to advise me in essence to be a chameleon
. In other words, don’t just create in one style or medium but be open to many approaches but try to do each well. In this respect I created my newest piece to celebrate the Haunted Mansion’s 45th
in a style I like to refer to as “retro
” and let me tell you, it was a hoot to work on. I wanted to avoid doing the "stretches"
or just limit myself to the "hitch hikers"
and hoped to include as much of the ride in the image as possible without getting too complicated. I solved the problem by using a whimsical approach and starting with a simple base composition to build upon. The end result is almost a companion piece to my "Seasons of Magic"
painting that was very well received by Disney fans and was subsequently showcased in the Disney Gallery
vault for many months.
As my wife Patty
put it, “It’s an advertising style that was being used when the original attraction opened, so it’s fitting to return to that stylized look to celebrate it 45 years later!"
She has so many good ideas and of course if you want a happy life- you keep a happy wife
, so I used her suggestion.
And once again I'm also using the medium of choice from the old Disney Studio of the 1930s through the 1960s which is gouache
with the original illustration measuring 18 x 24 inches. You can see it within the ad poster to the left. The look was decidedly different from my previous pieces for the Disney Gallery Steampunk Show
. Once I had finalized my thumbnails, it was frighteningly fun adding little hidden treasures among the Haunted Mansion many points of interests. Mike Peraza Haunted Mansion 45th Anniversary collector poster. HANTED MANSION
|Yale Gracey and "Hat box"|
I even included cryptic characters from the ride that were removed from the attraction like the legendary “Hat box Ghost" although he is making a "spirited" return . Here's a photo of Yale Gracey working on that original problem child that never seemed to come off the way they had hoped. Before he transferred to WED, Yale was a brilliant layout guy for Jack Hannah back in the day doing Donald Duck shorts among many other projects at the old studio. When Jack introduced him to me I had no idea he was an imagineer at that time because the discussion was mainly centered on animation and layout from his work at the old Disney Studio. When he eventually got around to sharing Disneyland stories I was even more blown away by Yale's accomplishments.
|Yale Gracey with chip off the old block|
|The original design of the Hatbox|
Ghost by Collin Campbell
He was a nice guy and is missed to this day by everyone who was fortunate to know him. If you ever wondered if there was a real "Master Gracey"
, well this is the amazing gentleman who was honored with that title.
| Mike Peraza whimsical take on Hat Box Ghost|
By the way, the original design for the "Hat Box Ghost" was by another old friend, Collin Campbell and is included here. Speaking of "Hatty", here is my retro rendition of that ghastly ghost. I have also planted multiple “hidden Mickeys” and other treasures throughout the graphic graveyard so have fun unearthing them. Before you pull down on the safety bar even though we told you not to, come on down to the Disney Gallery and join our spirited celebration of the Haunted Mansion's 45th!
|Part of the crowd waiting outside to get in, |
while there was just as many inside waiting to get out.
If you're looking to pick up fine art prints signed for you by their apparitional artists celebrating the Haunted Mansion's 45th
but worried your walls are too full, let me paraphrase the last line you hear when leaving the Haunted Mansion, "...there's always room for one more."
So come on out August Saturday 16, 9:00 AM
to the Disneyland Gallery
located on Main Street
, on the right when you enter the park. I'll be there along with a ghoulish group of extremely talented and terrifying artists just dying to meet you.
: The signing event was huge success and sold out of all of my paper prints, canvas prints and the original painting before it was even half over. I had the pleasure of meeting so many incredible folks who came by to pick up a print and then stuck around to talk and share some great times while I signed. Of course that is wonderful news but what is also exciting is that prints are again available at the Disney Gallery
for my "Happy Haunts"
in both formats and will continue to be offerred for all of the Haunted Mansion fans out there.
#hauntedmansion45th #mikeperaza #disneyfineart #YaleGracey #Disneyland #Disneygallery #Disneyfineart
Thank you David.ReplyDelete
Very nice article.ReplyDelete
Thank you Janet.Delete
Hey Mike, I just wanted to thank you for your blog contributions - since recently stumbling upon your entries regarding The Black Cauldron I've been absolutely hooked. I'm on the verge of starting my own blog for the sake of recording similar thoughts about the film, its impact on me personally, and loads of viewpoints on Disney in general. One of the thousands out there I suppose.ReplyDelete
But as a creative in the interactive field at the Mouse, reading personal accounts is such a gem. Be it from you or in the form of Bill Peet's autobiography, such storytelling is rare. Please keep it up! Your range in art is fantastic to follow.
Thank you Keith, I'm very happy to hear you enjoy the posts. It's always a wonderful treat for me to hear from folks who have read through the blog. I wish I had more time to write but In seem to get busier as the years go by which I guess is a good thing.Delete
To hear my name referred to in the same sentence as Bill Pete is an honor and I hope to write many more postings I hope you will enjoy Keith.